Long –time pioneers in the English “prog rock” scene, Ozric Tentacles delivers another round of potent sonic exploration in this latest studio release.
Ozric Tentacles originally formed in the early 80s around
the nucleus of Ed Wynne, Roly Wynne, Joie Hinton, and Merv Pepler.The band’s earliest recordings were compiled
in a rare, 6 piece box set, which culminated in larger distribution for the
band’s next wave of recordings.Remarkable albums from this era include, but are not limited to,
“Strangeitude,” “Jurassic Shift,” and “Pungent Effulgent.”These albums all demonstrated a band taking
chances sonically, as wild caterwauling guitar was complemented with mind-melting
synthesizers.In the early Ozric years,
guitarist and founding member, Ed Wynne, supplied a daring sense of guitar and
synthesizer wizardry, employing progressive rock rhythms and Middle Eastern
influences to complement the bizarre, inventive contributions of his band mates.
In the early 90s, Hinton and Pepler left the band to further
pursue their destiny as the addictive English trance outfit, Eat Static.Despite this seemingly devastating personnel
loss and then the further tragic loss of his brother, Roly, Ed Wynne labored in
the trenches, and has continued to create complex, interesting albums into the
28th year of the Ozric Tentacles phenomenon.The Ozrics began the 21st century
with a series of highly inventive, if underrated albums, including “Curious
Corn,” “WaterfallCities,” and “The Hidden
Step.”Changes in personnel plagued the
band in recent years, but their recent foray, “The Yum Yum Tree,” demonstrates
Wynne and his new band mates hitting on full cylinders.Although this album delves into familiar
territory for the longtime Ozric fan, this terrain will be sonically daring and
addictive to the uninitiated.“The Yum
Yum Tree” finds Wynne offering another release full of his trademark, compelling
grooves and interesting musical selections.
“MagickValley” kick starts the
album off, as exploratory ambient moments transform into spirited, percussive
beats.The song then releases into other
structured, but less frantic trance sequences, as synthesized string-like
effects punctuate the periphery of the song, much like the notes of Wynne’s
virtuosic guitar.“Oddweird” invokes the
spirit of the Ozrics past, as exploratory guitar is laced with tasteful,
progressive fusion jazz to create a lengthy, majestic jam.“Mooncalf” saunters along on a strong bass
line as elusive, psychedelic synthesized effects add body to the song.As with any Ozric song, the band changes
gears throughout the song, splashing typical Ozric sounds with dub rhythms and
other effects to create a compelling stew.Original Ozric members Joie Hinton and Merv Pepler contribute to the
next song, “Oolong Oolong.”Hinton’s
airy synthesizer work complements Wynne’s elusive guitar through the body and
closing movements of this song.The
title track of the album sounds reminiscent of “Afroclonk,” an Ozric classic
from a recent album, but this association is a positive one.Methodical bass and grooves complement
Wynne’s guitar as he explores the stratosphere with the upper registers of his
guitar.The song then ventures into a
spirited, head shaking jam that would be quite enjoyable to the late night
crowd.‘The opening notes of “Nakuru”
invoke that sense of the mystic, otherworldly “bizarre” that has contributed to
several gems throughout the Ozric discography.The album closes with “San Pedro” (also featuring Hinton and Pepler) and
Hinton’s keyboard work reminds me of earlier days in my appreciation of Ozric
Tentacles.
The tracks on “The Yum Yum Tree” reaffirm my appreciation
and respect for Ed Wynne, who has quietly forged a unique, underground legacy that
many bands in the “trance jam” scene have recently come to discover.Recent festival appearances over the last few
years, including slots at AllGood and CampBisco,
have introduced the Ozric sound to a younger legion of sonically starved potential
fans.In the light of the “electronic
jam” scene gaining more prominence and appreciative crowds over the years, the
time seems ripe for Ozric Tentacles to gain more respect for 30 years of
musical innovation.The tracks on this
album range from sophisticated and polished sonic jazz to daring and
adventurous guitar frenzy.This sort of
duality has characterized Ed Wynne and his band mates over the years, and is
further emphasized by the tracks on this album.There are several tasty nuggets that an old Ozric fan like me can love,
and several sequences and jams that would be quite pleasing to a new generation
of fans as well.Overall, this is
another accomplished album that further validates the musical contributions of
one of the longest standing and most unique bands in the world today.
Ed and Joie are guesting on this new Ethiopian fusion album release :
I am Dan Harper, the man behind Dub Colossus (I recorded it in my studio
in Addis,
put all the
musicians together, co-wrote/played on etc).
I thought given my other
recent
Ethiopian release
(to great press/reviews to date) this should be sent your way.
I was recording this album (Invisible System, Punt (Made in Ethiopia)
before Dub
Colossus was
born, all of DC are on it plus e.g. Mahmoud Ahmed (Ethiopques and
Ethiopia's main
man), many other
Ethiopians + guests from the UK upon my return include Justin Adams
(Robert Plant)
and Juldeh,
Hilaire Chabby (Baba Maal), Captain Sensible, Simon Hinkler (The Mission),
Zion
Train, Baka
Beyond, Ozric Tentacles etc etc. It is released after due to my heavy
workload and
as I set up my
own record label to do this. I returned to the UK post 8 years aid work
in Mali and
Ethiopia with
my Malian wife and daughter (Frome in Somerset).
Some reviews are pasted below for you. If you receive this let me know
and I can
mail you a CD
for review or some mp3s and jpegs. Although the press so far has been
great, and
the next FRoots
has a full article on the album plus a free track on the cover CD, I need
now to get
it into some
newspapers and non-world music mags. Mojo are currently looking at it I
think. The
reason being
it crosses so many genres as you will see from below and thus will appeal
to world,
reggae, dub,
dance, club, psy, rock etc fans as well.
It has been played on e.g. BBC World Service, Late Junction, Asian net etc
as well
as in the USA,
New Zealand Radio (with interview), etc etc.
Ok, some reviews now.
Best
Dan - 07515 400362
INVISIBLE SYSTEM Rock N Reel Review (just came through, not yet published)
****
Punt ? Made In Ethiopia
(HARPER DIABATE RECORDS) www.harperdiabate.com
Having spent several years in Africa as an aid worker, musician and
producer Dan
Harper (aka
Invisible System), was uniquely qualified when it came to the creation of
this
wonderfully strange
and slightly otherworldly album. Punt is a remarkable musical melting pot
that
crosses continents,
cultures and musical genres and in doing so gives birth to something that,
with its
blend of
Ethiopian music, dub, trance, pop, electronica, rock and psychedelia
refuses
resolutely to be
pigeon holed. Created with the assistance of an eclectic collection of
musicians
from bands as
diverse as Ozric Tentacles, Robert Plant, Zion Train, Loop Guru, Baka
Beyond, The
Mission,
Transglobal Underground and Baaba Maal, Punt is truly innovative. Recorded
at
Harper?s mobile Worm
Hole Studio in Addis Ababa, Ethiopia it features some of that country?s
finest
including legendary
singer Mahmoud Ahmed together with pianist Samuel Yirga Miyiku,
saxophonist Feleke
Hailu
Woldemariam and singers Tsedenia Gebremarkos Woldesilassie and Sintayehu
Zenebe who
last year
collaborated with Harper on Count Dubullah?s Dub Colossus project, A Town
Called
Addis. One of the
most startlingly original musical adventures of the year Punt seamlessly
knits
together these
diverse threads and in doing so gives a whole new meaning to the term
?fusion music?.
Dave Haslam
TJNelson
World Music Network
How an aid worker, who spent eight years in Mali and Ethiopia, became the
nomadic record producer, composer, musician, sound engineer and all around
champion for equality and democracy in the underbelly of the fat,
bureaucracy-laden aid organizations in the third world is a mystery only
Invisible System's mastermind Dan Harper can answer. But it's clear from
his liner notes, Dan's message is pretty clear, "Fascist dictators and
insincere people beware..." Turning that frustration into music, Dan's
found an international stage for some remarkable Ethiopian artists and an
electrifying amalgum of sound with his debut recording *Punt Made in
Ethiopia*.
Dipping into a stew of dub, dance, rock, trance and Ethiopian traditions,
*
Punt* plays host to a guest lineup that includes Ethiopiques's Mamoud
Ahmed
and Bahta Gerehiwot, Hilaire Shabby, Justin Adams, Joie Hinton, Ed Wynne,
Dubulah, Elmer Thudd and Gary Woodhouse among others. In addition to the
recording, mastering, engineering and CD design, Mr. Harper also provides
guitar, bass synthesizer, didgeridoo and percussion. Recorded in Addis
Ababa and the U.K., Mr. Harper plunges headlong into a mystical world of
trance, psychedelia, electronic dance music grounded by fiery Ethiopian
vocals. The result is a bit like an exotic mythology flung into outer
space.
Relying on the artistic immediacy of improvisation, Mr. Harper opens
*Punt* with
an easy groove crafted by Ed Wynne on synthesizer, Juldeh Camara on ritti
and some splendid vocals by Desta Fikra on the track "Hode Baba." Turning
toward the dreamy, "Fiten Azorkugn" sparkles with Joie Hinton on
synthesizer, former Loop Guru member Elmer Thudd on drums and Tsedenia
Gebremarkos's vocals and Feleke Hailu Woldeilassie and Johnny Akilu Badane
on saxophone, while Mamoud Ahmed's vocals drift eeriely from a darkly
striking trance background on "Melkam Kehonelish." "Sewbekagn" shimmers
with Netsanet's sultry vocals rising out of some deliciously twangy depth,
while "Min Atefahu" is saturated with edgy guitar. Other notable tracks
include the neatly packed "Yeteleye Fikir" with Gahta Gebre Hiwot's vocals
or the spacy electronica against vocals by Mimi and Teremage Woretaw on
"Gondar" and the combustible blend of dance and trance on "Dankira."
With *Punt Made in Ethiopia*, Mr. Harper has found a mixed sound that is
both powerful and exotically edgy. While it may delve heavily into the
trippy electronica on occassion,* Punt* lures the listener with an almost
mythical world fusion sound while honoring the gracious spirit of the
Ethiopian soul through its vocal traditions. What a treat.
Jamie Renton - FRoots
Invisible System?s album is a bit like a wayward relative of last year?s A
Town
Called Addis by
Dub Colossus: perhaps its deranged brother, who?s been locked away in the
attic for
years,
subsisting on a diet of hallucinogens and psych rock. Masterminded by
English producer/
multi-instrumentalist Dan Harper (who was also involved in A Town Called
Addis), it
features a
combination of Ethio roots musicians and UK players from the furthest
reaches of
world and rock.
This must be the first album to find space for both Mahmoud Ahmed and The
Damned?s
Captain
Sensible. Justin, Juldeh, Dub Colossus main-man Dubulah, Martin Craddick
from Baka
Beyond and
members of The Mission, Here & Now and Ozric Tentacles, all add
embellishments to
recordings of
local musicians made by Harper in his Ethiopian studio.
The result is highly unusual and at times quite intoxicating. It starts
out warm,
dubby, jazzy, a
little like A Town Like? before moving into wilder territory, with
elements of drum
?n? bass and
techno, swathes of rock guitar, an unhinged sense that anything could
happen. It
doesn?t all work,
but there are a lot more hits than misses and Melkam Kehonelish ? If That
Is What
You Want
combines Mahmoud?s majestic vocals with rumbling electronica to delicious
effect.
Not to
everyone?s taste I?d guess, but well worth a try. I find that it grows
with each
listen.
Distributed by Discovery.
Buy from Amazon.co.uk
Jamie Renton
Fly Global Magazine
Any album that assembles an array of contributors as wide as Mahmoud Ahmed
and Bahta
Gebre Hiwot
of Ethiopiques fame, Justin Adams and Juldeh Camara, and European
musicians like
beats-smith
Dubulah (a.k.a Nick Page) is likely to struggle to find a cohesive voice.
Not so for
PUNT Made in
Ethiopia, the first release on Harper Diabate.
The inspiration behind world-fusion collective Invisible System is a
British
producer, composer
and sound engineer, Dan Harper, who spent 8 years in Ethiopia and Mali, as
an aid
worker and
budding musical entrepreneur. The result of Harper?s travels is an array
of
collaborators and
styles as long as your arm which are musically held together with
Invisible System?s
anger at the
failure of large aid organisations to fulfil their raison d?etre in the
third world
(?Keep
fighting for equality and democracy? writes Harper in the CD notes) and a
trance-like blend of
dub, psychedelia and rock.
Mixed with these edgy sounds are North and East African vocals and a
smattering of
traditional
instruments. As to be expected, the influence of the Ethiopiques series
features
strongly. Mahmoud
Ahmed?s vibrato-drenched voice soars over threatening bass and synths on
?Melkam
Kehonelish? while
a cast of lesser-known Ethiopian vocal talent features during the album,
though with
varying
degrees of success. Desta Fikra?s sensuous voice is an asset throughout
but she and
fellow
vocalist Mimi fail to shine on the oddly stuttering ?Giba Wedebet?.
It is not only Ethiopian musicians that set the tone of the album however.
Juldeh
Camara?s ritti
swings alongside the reggae riff on opening track ?Hode Baba? while
British
singer/songwriter
Captain Sensible adds an impenetrable layer of guitar noise to drum and
bass finale
?Dankira?.
Invisible System is pushing an important agenda in its political activism
and
although PUNT Made
in Ethiopia is patchy and inspirationally stretched in places, there are
moments of
electrifying
mystique and the beginnings of genuine cross-cultural conversations to be
found
here. Watch this
space.
We invite you to signup to receive our DancingTree Email Newsletter which we will mail weekly to keep you up to date with news regarding our music scene.
.gif)
Ed and Joie are guesting on this new Ethiopian fusion album release :
I am Dan Harper, the man behind Dub Colossus (I recorded it in my studio
in Addis,
put all the
musicians together, co-wrote/played on etc).
I thought given my other
recent
Ethiopian release
(to great press/reviews to date) this should be sent your way.
I was recording this album (Invisible System, Punt (Made in Ethiopia)
before Dub
Colossus was
born, all of DC are on it plus e.g. Mahmoud Ahmed (Ethiopques and
Ethiopia's main
man), many other
Ethiopians + guests from the UK upon my return include Justin Adams
(Robert Plant)
and Juldeh,
Hilaire Chabby (Baba Maal), Captain Sensible, Simon Hinkler (The Mission),
Zion
Train, Baka
Beyond, Ozric Tentacles etc etc. It is released after due to my heavy
workload and
as I set up my
own record label to do this. I returned to the UK post 8 years aid work
in Mali and
Ethiopia with
my Malian wife and daughter (Frome in Somerset).
Some reviews are pasted below for you. If you receive this let me know
and I can
mail you a CD
for review or some mp3s and jpegs. Although the press so far has been
great, and
the next FRoots
has a full article on the album plus a free track on the cover CD, I need
now to get
it into some
newspapers and non-world music mags. Mojo are currently looking at it I
think. The
reason being
it crosses so many genres as you will see from below and thus will appeal
to world,
reggae, dub,
dance, club, psy, rock etc fans as well.
It has been played on e.g. BBC World Service, Late Junction, Asian net etc
as well
as in the USA,
New Zealand Radio (with interview), etc etc.
Ok, some reviews now.
Best
Dan - 07515 400362
INVISIBLE SYSTEM Rock N Reel Review (just came through, not yet published)
****
Punt ? Made In Ethiopia
(HARPER DIABATE RECORDS) www.harperdiabate.com
Having spent several years in Africa as an aid worker, musician and
producer Dan
Harper (aka
Invisible System), was uniquely qualified when it came to the creation of
this
wonderfully strange
and slightly otherworldly album. Punt is a remarkable musical melting pot
that
crosses continents,
cultures and musical genres and in doing so gives birth to something that,
with its
blend of
Ethiopian music, dub, trance, pop, electronica, rock and psychedelia
refuses
resolutely to be
pigeon holed. Created with the assistance of an eclectic collection of
musicians
from bands as
diverse as Ozric Tentacles, Robert Plant, Zion Train, Loop Guru, Baka
Beyond, The
Mission,
Transglobal Underground and Baaba Maal, Punt is truly innovative. Recorded
at
Harper?s mobile Worm
Hole Studio in Addis Ababa, Ethiopia it features some of that country?s
finest
including legendary
singer Mahmoud Ahmed together with pianist Samuel Yirga Miyiku,
saxophonist Feleke
Hailu
Woldemariam and singers Tsedenia Gebremarkos Woldesilassie and Sintayehu
Zenebe who
last year
collaborated with Harper on Count Dubullah?s Dub Colossus project, A Town
Called
Addis. One of the
most startlingly original musical adventures of the year Punt seamlessly
knits
together these
diverse threads and in doing so gives a whole new meaning to the term
?fusion music?.
Dave Haslam
TJNelson
World Music Network
How an aid worker, who spent eight years in Mali and Ethiopia, became the
nomadic record producer, composer, musician, sound engineer and all around
champion for equality and democracy in the underbelly of the fat,
bureaucracy-laden aid organizations in the third world is a mystery only
Invisible System's mastermind Dan Harper can answer. But it's clear from
his liner notes, Dan's message is pretty clear, "Fascist dictators and
insincere people beware..." Turning that frustration into music, Dan's
found an international stage for some remarkable Ethiopian artists and an
electrifying amalgum of sound with his debut recording *Punt Made in
Ethiopia*.
Dipping into a stew of dub, dance, rock, trance and Ethiopian traditions,
*
Punt* plays host to a guest lineup that includes Ethiopiques's Mamoud
Ahmed
and Bahta Gerehiwot, Hilaire Shabby, Justin Adams, Joie Hinton, Ed Wynne,
Dubulah, Elmer Thudd and Gary Woodhouse among others. In addition to the
recording, mastering, engineering and CD design, Mr. Harper also provides
guitar, bass synthesizer, didgeridoo and percussion. Recorded in Addis
Ababa and the U.K., Mr. Harper plunges headlong into a mystical world of
trance, psychedelia, electronic dance music grounded by fiery Ethiopian
vocals. The result is a bit like an exotic mythology flung into outer
space.
Relying on the artistic immediacy of improvisation, Mr. Harper opens
*Punt* with
an easy groove crafted by Ed Wynne on synthesizer, Juldeh Camara on ritti
and some splendid vocals by Desta Fikra on the track "Hode Baba." Turning
toward the dreamy, "Fiten Azorkugn" sparkles with Joie Hinton on
synthesizer, former Loop Guru member Elmer Thudd on drums and Tsedenia
Gebremarkos's vocals and Feleke Hailu Woldeilassie and Johnny Akilu Badane
on saxophone, while Mamoud Ahmed's vocals drift eeriely from a darkly
striking trance background on "Melkam Kehonelish." "Sewbekagn" shimmers
with Netsanet's sultry vocals rising out of some deliciously twangy depth,
while "Min Atefahu" is saturated with edgy guitar. Other notable tracks
include the neatly packed "Yeteleye Fikir" with Gahta Gebre Hiwot's vocals
or the spacy electronica against vocals by Mimi and Teremage Woretaw on
"Gondar" and the combustible blend of dance and trance on "Dankira."
With *Punt Made in Ethiopia*, Mr. Harper has found a mixed sound that is
both powerful and exotically edgy. While it may delve heavily into the
trippy electronica on occassion,* Punt* lures the listener with an almost
mythical world fusion sound while honoring the gracious spirit of the
Ethiopian soul through its vocal traditions. What a treat.
Jamie Renton - FRoots
Invisible System?s album is a bit like a wayward relative of last year?s A
Town
Called Addis by
Dub Colossus: perhaps its deranged brother, who?s been locked away in the
attic for
years,
subsisting on a diet of hallucinogens and psych rock. Masterminded by
English producer/
multi-instrumentalist Dan Harper (who was also involved in A Town Called
Addis), it
features a
combination of Ethio roots musicians and UK players from the furthest
reaches of
world and rock.
This must be the first album to find space for both Mahmoud Ahmed and The
Damned?s
Captain
Sensible. Justin, Juldeh, Dub Colossus main-man Dubulah, Martin Craddick
from Baka
Beyond and
members of The Mission, Here & Now and Ozric Tentacles, all add
embellishments to
recordings of
local musicians made by Harper in his Ethiopian studio.
The result is highly unusual and at times quite intoxicating. It starts
out warm,
dubby, jazzy, a
little like A Town Like? before moving into wilder territory, with
elements of drum
?n? bass and
techno, swathes of rock guitar, an unhinged sense that anything could
happen. It
doesn?t all work,
but there are a lot more hits than misses and Melkam Kehonelish ? If That
Is What
You Want
combines Mahmoud?s majestic vocals with rumbling electronica to delicious
effect.
Not to
everyone?s taste I?d guess, but well worth a try. I find that it grows
with each
listen.
Distributed by Discovery.
Buy from Amazon.co.uk
Jamie Renton
Fly Global Magazine
Any album that assembles an array of contributors as wide as Mahmoud Ahmed
and Bahta
Gebre Hiwot
of Ethiopiques fame, Justin Adams and Juldeh Camara, and European
musicians like
beats-smith
Dubulah (a.k.a Nick Page) is likely to struggle to find a cohesive voice.
Not so for
PUNT Made in
Ethiopia, the first release on Harper Diabate.
The inspiration behind world-fusion collective Invisible System is a
British
producer, composer
and sound engineer, Dan Harper, who spent 8 years in Ethiopia and Mali, as
an aid
worker and
budding musical entrepreneur. The result of Harper?s travels is an array
of
collaborators and
styles as long as your arm which are musically held together with
Invisible System?s
anger at the
failure of large aid organisations to fulfil their raison d?etre in the
third world
(?Keep
fighting for equality and democracy? writes Harper in the CD notes) and a
trance-like blend of
dub, psychedelia and rock.
Mixed with these edgy sounds are North and East African vocals and a
smattering of
traditional
instruments. As to be expected, the influence of the Ethiopiques series
features
strongly. Mahmoud
Ahmed?s vibrato-drenched voice soars over threatening bass and synths on
?Melkam
Kehonelish? while
a cast of lesser-known Ethiopian vocal talent features during the album,
though with
varying
degrees of success. Desta Fikra?s sensuous voice is an asset throughout
but she and
fellow
vocalist Mimi fail to shine on the oddly stuttering ?Giba Wedebet?.
It is not only Ethiopian musicians that set the tone of the album however.
Juldeh
Camara?s ritti
swings alongside the reggae riff on opening track ?Hode Baba? while
British
singer/songwriter
Captain Sensible adds an impenetrable layer of guitar noise to drum and
bass finale
?Dankira?.
Invisible System is pushing an important agenda in its political activism
and
although PUNT Made
in Ethiopia is patchy and inspirationally stretched in places, there are
moments of
electrifying
mystique and the beginnings of genuine cross-cultural conversations to be
found
here. Watch this
space.
Buy from the FlyShop
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